例句與造句

1. "We are extremely disappointed, " said Kevin Harley, a prosecution spokesman.
2. "That's a ridiculous charge, " said Kevin Harley, a spokesman for Fisher.
3. Kevin Harley, a spokesman for Pappert, said Fricchione and Kelly were not in custody as of Monday afternoon.
4. "' Kevin Harley "'( born April 20, 1994 in Trappes, France ) is a French basketball player who plays for French Pro A league club Poitiers Basket 86.
5. "We're starting to see it emerge as a drug that is, as we call it,'diverted,'which is a legally prescribed drug being used illegally, " said Kevin Harley, spokesman for Pennsylvania state Attorney General Jerry Pappert.
6. It's difficult to find kevin harley in a sentence. 用kevin harley造句挺難的
7. Nick Catucci of " Entertainment Weekly " shared a similar sentiment, expressing enjoyment of the " weird and wonderful intimacy " of the track, Kevin Harley from " The Independent " made favorable comparisons to " Ray of Light " by Madonna, and felt that " Alien " was one of Spears'stronger " multi-producer alliances " from the record.
8. She praised the politics as " tensely gripping " and felt it had a lot to say about the " ethical ambiguities of war . " She praised Lawrence's performance as " strong, smart, stubborn, angry and full of heart " and noted it had grown " deeper and darker . " Kevin Harley, who reviewed the film for " Total Film ", also awarded the film four out of five stars.
9. Kevin Harley, writing in " The Independent ", wrote that the band proved themselves with the album; " there s fuel enough for manoeuvre in pop that s piloted with intelligence, energy, craft and atmospheric control, even if it seems frightfully, stiflingly high-concept . " He commented on the band's departure form the rock-centric sounds of " Inform-Educate-Entertain " to a more electronic sound, relating the band's move to the album's opening track, with John F . Kennedy's speech for " change and challenge ".
10. "The Independent " critic Kevin Harley commented that " Elsewhere, the Manics'band identity proves robust enough to withstand the tweaking . " Ben Hewitt of " NME " stated that " the Manics prove they are still the enemies of greed, conformity and corruption . " " The Telegraph " declared : " . . . the dark pulse of that krautrock influence gives the songs a steely sleekness of purpose ( and real cohesion ), while the band layer a vigorous variety of sounds and tempos on top to keep things interesting . " PopMatters associate music editor John Garratt wrote that the album " can just about stand toe-to-toe with any of their past albums ."
11. Some critics compared the track to Spears's single at the time, Perfume, with Kevin Harley of " The Independent " saying : " " Passenger " revisits that self-image [ of Perfume ], words yielding no surprises here : any fool knows that " You never know what you've got " completes the lyric of " Til it's Gone " . ", while Genevieve Koski from " A . V . Club " noted that both songs were " well-developed conceit and its genuine-seeming vulnerability, something Spears is much better at than most of her collaborators usually to give her credit for ", later completing that Passenger " could easily be mistaken for a cover of a lost Katy Perry single . " Stephen Thomas Erlewine of " Allmusic " highlighted the track by calling it " the purest pop moment on the record that finds a counterpart in the album's best ballad, " Perfume " and saying that Spears was " on focus " on the track.
12. BBC's Kevin Harley said that the album " deepens his pitch while exhibiting a range and grace beyond his death's-head profile " and " sells [ the songs ] with conviction and character . " " Drowned in Sound " reviewer Robert Leedham referred to the album as " deliciously callous but cursedly familiar " in its 6 / 10 review and added that it was " a record for ardent fans and not casual admirers . " Jason Heller of The A . V . Club gave the album a C-rating, referring to the album as " a blatant and lackluster attempt to keep up with the times " and criticised its production " in which no note or texture is left digitally unprocessed . " Pitchfork Media described " Blues Funeral " as " a mixed bag " and the songs as " many dirges that simply drag, " but positively noted the album's influences and Lanegan's vocals ( " almost invariably powerful on a sheer physical level " ) and awarded the album 5.9 / 10.